If you’ve been working with sampled instruments for a while, you probably have better examples of much or all of what Kontakt 7 provides. But if your machine is a few years old then that space may not be as easy to come by. If your computer is current, you’ll likely scoff at such trivial amounts. Even in this day and age, that can be a big chunk of real estate on your drive. When researching this Kontakt review, we found that the new factory library has around 55GB of instruments. Once you realize how you can improve your instruments and tailor them to your workflow, you may find it hard to go back to more restrictive sample players. It is easy to pick up the basics, and there are many resources available to explore more complex features. You don’t have to be an expert to benefit from these tools. Kontakt itself offers a full suite of tools for you to edit instruments or create your own from raw sounds. It also means more resources for those learning how to create content.
This advantage translates into more sounds for the consumer to choose from. They also may be closed to outside developers entirely. Nevertheless, none have nearly as deep a community of developers as Kontakt. You’ll also see mentioned UVI Falcon and Vienna Symphonic Library’s Synchron Player. Competitors have arisen including Sine from Orchestral Tools and Spitfire Audio’s own player. Kontakt isn’t the only soft-sampler available. Despite this, based on our Kontakt review, K7 has retained a large number of providers who offer top notch, cutting edge libraries, which are unavailable in other formats.
However, developers have begun shifting to their own proprietary engines to deliver their content. For a while it was nearly the only game in town (particularly if you worked with orchestral sample sets). It supplanted Gigastudio, the original king of the soft-samplers. There was a time when Kontakt was the de facto standard format in which sample libraries were developed. For this Kontakt review, we will mostly be looking at the full version. This works out to about 6GB instead of roughly 55GB with Kontakt Full. You’ll also find that the Player version comes with much less built in content. Many developers do not go through Native Instruments due to the costs involved in obtaining the license, so their libraries will only work in Kontakt Full. However, you can only load licensed libraries and the editing tools are limited to 15 minutes’ use.
Note that there are two versions of Kontakt: Kontakt Player and Kontakt Full. It delivers tremendous value for its price, but how much you get out of that depends on your musical goals and willingness to delve into the guts of the sounds you are working with. Kontakt 7 operates as either a standalone or as a plugin within your DAW. In this Kontakt review we’ll be looking at Native Instruments’ robust and versatile soft-sampler.
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